Please use this identifier to cite or link to this item: http://ricaxcan.uaz.edu.mx/jspui/handle/20.500.11845/3141
Title: El simulacro de identidad de los chavorrucos: la selfie en Instagram como dispositivo de ficción
Authors: Sánchez Ramírez, Isaura del Carmen
Issue Date: 30-Nov-2021
Publisher: Universidad Autónoma de Zacatecas
Abstract: El presente trabajo de investigación pretende abordar la problemática de la construcción de identidad en los chavorrucos al publicar una selfie en Instagram, un fenómeno que trasciende con el paso de los años permitiendo que el usuario construya una imagen dentro de un mundo virtual utilizando el Smartphone como dispositivo para modificar, por medio de filtros y técnicas de composición, una selfie buscando simular una versión juvenil, exponiéndose a “sí mismo” por medio de un simulacro en el que se ve alterada su identidad, lo que lo conduce a una mímesis con sus modelos estereotipados de los cuales se resiste a salir. La selfie presenta cambios constantemente, permitiendo a los chavorrucos mostrar actitudes que no corresponden al comportamiento que se espera de un adulto en edad madura, así como de construirse ficcionalmente dentro de Instagram con la finalidad de obtener aceptación social que reafirme su identidad ante el avance tecnosocial. Esta investigación observa desde Instagram el comportamiento de un grupo de chavorrucos, quienes por medio de una encuesta participaron para la obtención de datos, como parte de una de las técnicas de investigación desde la perspectiva cualitativa que aborda el presente trabajo con lo que se interpretaron los resultados bajo los referentes conceptuales que arrojó la Matriz Epistemológica de Análisis de Coherencia. Se reconoce a través de los hallazgos de esta tesis que la identidad que forma el chavorruco dentro de Instagram por medio de las selfies es ficcional, ya que al exhibirse ante la mirada del otro el acto narcisista resalta involucrando diversas características en las que el usuario se sabe partícipe, con lo cual emite una producción intencionada de imagen al momento de publicar la selfie que le permita mostrarse personalmente de la mejor manera posible, creando una apariencia aceptada tanto por él mismo como por la sociedad virtual.
Description: This research paper aims to address the problem of the construction of identity in chavorrucos by posting a selfie on Instagram, a phenomenon that transcends identity in the chavorrorrucos when posting a selfie on Instagram, a phenomenon that transcends the over the years, allowing the user to construct an image within a virtual world using the Smartphone as a device to using the Smartphone as a device to modify, through filters and composition techniques, a selfie composition techniques, a selfie seeking to simulate a youthful version, exposing "himself" by means of a "himself" through a simulation in which his identity is altered, which leads him to a mimesis with his models. to a mimesis with his stereotyped models from which he resists to leave. The selfie constantly changes, allowing the chavorrorrucos to show attitudes that do not correspond to the behavior expected behavior of an adult of mature age, as well as to construct themselves fictionally within Instagram. fictionalize themselves on Instagram in order to gain social acceptance that reaffirms their identity before that reaffirms their identity in the face of technosocial progress. This research observes from Instagram the behavior of a group of chavorrucos, who by means of a survey participated to obtain data, as part of one of the research techniques from the one of the research techniques from the qualitative perspective that addresses the present work. the results were interpreted under the conceptual references provided by the Epistemological Matrix of Analysis of the the Epistemological Matrix of Coherence Analysis. It is recognized through the findings of this thesis that the identity formed by the chavorruco in Instagram through selfies is fictional, since the selfies is fictional, since by exhibiting himself before the gaze of the other the narcissistic act highlights involving diverse characteristics in which the user knows he/she is a participant, thus emitting an intentional production of image at the moment of an intentional production of image at the moment of publishing the selfie that allows him/her to show him/her to show himself personally in the best possible way, creating an appearance that is accepted both by himself himself as well as by the virtual society.
URI: http://ricaxcan.uaz.edu.mx/jspui/handle/20.500.11845/3141
Other Identifiers: info:eu-repo/semantics/publishedVersion
Appears in Collections:*Tesis*-- M. en Inv. Humanísticas y Educativas

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