Repositorio Dspace
“If the Guitar Hadn’t Existed, I Would Have Invented It:” Andrés Segovia and His Debut in México in 1923
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| dc.contributor | 389981 | en_US |
| dc.contributor.other | https://orcid.org/0000-0002-0435-2121 | en_US |
| dc.coverage.spatial | México Siglo XX | en_US |
| dc.creator | Diaz Santana Garza, Luis | |
| dc.date.accessioned | 2026-01-21T16:50:04Z | |
| dc.date.available | 2026-01-21T16:50:04Z | |
| dc.date.issued | 2025-02-01 | |
| dc.identifier | info:eu-repo/semantics/publishedVersion | en_US |
| dc.identifier.isbn | 979-8-8819-0154-7 | en_US |
| dc.identifier.uri | http://ricaxcan.uaz.edu.mx/jspui/handle/20.500.11845/4098 | |
| dc.identifier.uri | https://doi.org/10.48779/v6wx-1944 | |
| dc.description.abstract | Andres Segovia's career was supported by various myths. Taking the concepts of “self-fulfilling prophecy” and the “Matthew effect,” this chapter analyzes the reception at the recitals that marked his debut in México in 1923. | en_US |
| dc.language.iso | eng | en_US |
| dc.publisher | Vernon Press | en_US |
| dc.relation.uri | generalPublic | en_US |
| dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | * |
| dc.source | https://vernonpress.com/book/2194 | en_US |
| dc.subject.classification | HUMANIDADES Y CIENCIAS DE LA CONDUCTA [4] | en_US |
| dc.subject.other | Música | en_US |
| dc.subject.other | Musicología | en_US |
| dc.subject.other | Estudios culturales | en_US |
| dc.subject.other | Historia de la música | en_US |
| dc.subject.other | Organología | en_US |
| dc.subject.other | Guitarra | en_US |
| dc.title | “If the Guitar Hadn’t Existed, I Would Have Invented It:” Andrés Segovia and His Debut in México in 1923 | en_US |
| dc.type | info:eu-repo/semantics/bookPart | en_US |
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